"Mária Celeng, who was Tatjana tonight, played the iconic scene with all the passion of a young woman who is in love for the first time. With her golden soprano voice, she was poignant in her confusion, later she would be poignant in her dignity."

"Mária Celeng is no less dramatic as Donna Elvira. Her dark, voluminous soprano gives the "Me tradì" from "Don Giovanni" the necessary glow."

"Ott volt Celeng Mária. Nehéz lenne nem észrevenni őt , nem csupán azért, mert a szoprán szólónak fontos szerepe van a Nelson misében, hanem mert ragyog. Fiatal és tehetséges. Belép egy zenei világba és úgy mer ott lenni a színpadon, ahogyan mi szeretnénk ülni a közönségben."

"Enchantingly sung and played by Mária Celeng, she is the epitome and symbol of all unreachable women."

"Mária Celeng reached the hearts of the listeners on the screens with Dvorák’s "Song to the Moon."

"Josepha. Graceful like a Käthe Kruse doll and vocally full, tasty and confidently embodied by Maria Celeng."

"Josepha von Weisborn, the shining Mária Celeng, with whom Schubert is irretrievably in love."

"The famous Letter scene requires intensive performing and emotional imbue. Mária Celeng succeeded in a wonderful way, with a seamless and passionate voice, beautiful legato and free-swimming singing. She knew how to convey the naïve love of the young girl as well as the stately self-confident appearance at Gremin’s side."

"A singer with the charisma of a star!"